Joseph Kosinski, the acclaimed director behind the high-octane racing drama F1: The Movie, has confirmed that preliminary discussions are actively underway with Apple regarding the development of a potential sequel. The news follows the film’s significant global box office success, surpassing $630 million since its release in June 2025. The strong financial performance and positive audience reception have ignited considerable interest among key stakeholders, including Apple executives and the film’s producers, in extending the narrative of the fictional Formula 1 team, APXGP.
F1: The Movie captivated audiences by immersing them in the high-stakes world of Formula 1 racing, focusing on the compelling story of Sonny Hayes, portrayed by Academy Award winner Brad Pitt. Hayes, a seasoned but nomadic driver, makes an improbable return to the sport, joining the beleaguered APXGP team. He is partnered with the ambitious rookie Joshua Pearce, played by the rising star Damson Idris, setting the stage for a narrative blending redemption, mentorship, and the relentless pursuit of glory. The film was lauded for its authentic portrayal of F1 dynamics, thanks in part to its unique production method that involved filming during actual Grand Prix weekends and utilizing purpose-built F1-style cars modified for camera work.
Director Kosinski articulated the creative process for a follow-up, emphasizing the collaborative nature of early conceptualization. "We’re in that stage of just kind of dreaming up what that next chapter for Sonny Hayes would be and for APXGP," Kosinski told Variety. His comments underscore a willingness to revisit the world he meticulously crafted, a sentiment bolstered by the film’s widespread appeal. "But, you know, based on the reaction from around the world to this movie, it’s something that people wanna see and I’d be happy to go back and do it because we had so much fun making this one," he added, indicating both critical and personal enthusiasm for a continuation. Kosinski’s track record, which includes the critically and commercially successful Top Gun: Maverick (2022) – another film praised for its immersive action sequences and practical effects – positioned F1: The Movie as a highly anticipated project from its inception, a foresight that has evidently paid dividends.
The prospect of a sequel has also received a significant endorsement from Apple, the powerhouse behind the film’s distribution on Apple TV+. Apple CEO Tim Cook publicly acknowledged the ongoing conversations, highlighting the film’s impact as a major tentpole for the tech giant’s burgeoning content division. "It’s definitely something that’s being talked about," Cook confirmed during an interview with Variety at the recent Emmys ceremony. He further elaborated on the film’s impressive performance and the caliber of talent involved: "It’s been such a huge summer blockbuster for us. We’re so proud of it. The talent involved are such next level, and Brad [Pitt] did such a wonderful job acting in it. We’re super proud of it, and we can’t wait to bring it to the surface." This statement not only affirms Apple’s satisfaction with the initial investment but also signals a strategic interest in expanding its original content library with proven, high-performing franchises. The success of F1: The Movie marks a crucial milestone for Apple in its competitive push into the streaming and film production landscape, demonstrating its capacity to deliver global theatrical blockbusters.
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A pivotal figure in the film’s development and authenticity has been seven-time Formula 1 World Champion Lewis Hamilton, who served as an executive producer. Hamilton’s deep understanding of the sport, accumulated over a career spanning nearly two decades and boasting 103 Grand Prix victories, provided invaluable insights into the nuances of F1 racing, from on-track dynamics to the intense pressures faced by drivers and teams. Cook specifically noted his discussions with Hamilton regarding a sequel, underscoring the champion’s continued influence on the project. Hamilton’s involvement lent an unparalleled level of credibility to the film, ensuring that the portrayal of racing, team operations, and driver psychology resonated with both motorsport enthusiasts and general audiences. His expertise was instrumental in shaping the film’s technical accuracy and emotional depth, particularly in depicting the complex relationship between a veteran driver and an aspiring talent within a competitive team structure.
Producer Jerry Bruckheimer, a legendary figure known for helming numerous action blockbusters including Top Gun and Pirates of the Caribbean, has also expressed a keen interest in exploring a sequel. Speaking to TODAY, Bruckheimer hinted at the audience’s role in greenlighting future installments. "That’s up to you. If you talk us up, a lot of people come see it, we’ll figure out how to make another one," he remarked, acknowledging the crucial link between fan engagement and commercial viability. Bruckheimer also offered a tantalizing glimpse into potential narrative directions, specifically mentioning a location that was missed in the first production cycle. "Melbourne’s a track that we didn’t get to go to that I would – I’d love to, because I know it’s a favourite for a lot of the drivers. So that would be a great way to kick off a sequel." The inclusion of the iconic Albert Park Circuit, home to the Australian Grand Prix, could offer fresh visual opportunities and a dynamic setting for the next chapter of APXGP’s journey.
The narrative arc of F1: The Movie saw Sonny Hayes, after years away from the pinnacle of motorsport, make a dramatic return to guide APXGP, a team struggling for relevance and performance. His partnership with Joshua Pearce showcased the generational shift within the sport, with Hayes imparting wisdom and experience to the prodigious rookie. The film likely concluded with APXGP showing significant improvement, perhaps even securing a memorable victory or a strong championship finish, solidifying the team’s standing and setting up future challenges. A potential sequel could explore APXGP’s evolution from an underdog to a genuine contender, the internal dynamics of two top drivers vying for supremacy, or external pressures from rival teams and changing regulations. The F1 calendar, with its diverse array of circuits and cultures, offers a rich tapestry for storytelling, allowing for new challenges and character developments across various global stages.
The burgeoning popularity of Formula 1 worldwide, significantly amplified by Netflix’s Drive to Survive documentary series and the addition of new races in key markets like the United States, provides a fertile ground for cinematic explorations of the sport. F1: The Movie‘s success is indicative of this growing global appetite, tapping into a demographic eager for high-quality, authentic F1 content. A sequel would further capitalize on this momentum, potentially delving deeper into the technical innovations, strategic intricacies, and personal sacrifices inherent in competing at the highest level of motorsport.
While specific plot details for a sequel remain speculative at this early stage, the confirmed discussions between director Joseph Kosinski, Apple, Lewis Hamilton, and producer Jerry Bruckheimer signal a strong collective intent to continue the F1: The Movie saga. The film’s impressive box office performance and the enthusiastic reception from audiences and critics alike lay a robust foundation for APXGP and its drivers, Sonny Hayes and Joshua Pearce, to embark on their next thrilling chapter in the fast-paced world of Formula 1. The prospect of further cinematic exploration into this dynamic universe promises to keep motorsport fans and cinema-goers alike on the edge of their seats.
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- Jonas Leo is a passionate motorsport journalist and lifelong Formula 1 enthusiast. With a sharp eye for race strategy and driver performance, he brings readers closer to the world of Grand Prix racing through in-depth analysis, breaking news, and exclusive paddock insights. Jonas has covered everything from preseason testing to dramatic title deciders, capturing the emotion and precision that define modern F1. When he’s not tracking lap times or pit stop tactics, he enjoys exploring classic racing archives and writing about the evolution of F1 technology.
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